Yamaha Stagepas 500 - portable PA system, Yamaha Stagepas Systems

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Yamaha Stagepas 500 - portable PA system

 
Yamaha Stagepas 500 - portable PA system
Yamaha Stagepas 500 - portable PA system
Yamaha Stagepas 500 - portable PA system
YAMAHA STAGEPAS 500 - PORTABLE PA SYSTEM
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Yamaha STAGEPAS 500 Portable PA system is no longer available. It has been superseded by the Yamaha Stagepas 600i.


Yamaha STAGEPAS 500 is a lightweight, portable, easy-to-use PA system consisting of a pair of high-performance speakers with a built-in powered mixer. You can be set up and playing in a matter of minutes, and then packed away and on the road again with the same ease and speed when you're done. And all of this is provided with no compromise in sound quality or versatility, plus some advanced features you normally wouldn't expect to find in systems in this class. Getting great sound for live performance used to be a big deal.

FEATURES

Dual 250-Watt amplifier

Two 250-watt power amplifier can fill surprisingly large clubs or rooms, or project your sound over a considerable distance outdoors. The class-D power amplifier has been painstakingly designed to deliver superior sound quality as well as reliability in a remarkably compact unit.

Versatile 10-channel Mixer with Monitor and Record Outputs

If there are more members in your band than the STAGEPAS™ 300's 8 input channels can handle, or you simply have a lot of sources to mix, the STAGEPAS™ 500 gives you 10 input channels in all: four mono microphone/line inputs and three stereo line inputs. The additional stereo channel can used for either a stereo or mono source. In addition to the main speaker outputs the mixer has line outputs that can be used to connect additional powered speakers for monitoring, and to send the mixer's output to a recording device.

Phantom Power for High-performance Condenser Microphones

The STAGEPAS™ 500 mixer features switchable phantom power for the four mono microphone/line inputs. This lets you use high-performance phantom-powered condenser microphones in situations where you want the extended, natural response they provide.

Built-in Channel Compression/Limiting, 2-band Channel EQ and SPX Digital Reverb

Channels 1 and 2 feature LIMIT/COMP switches that let you apply either limiting or compression to those channels. Limiting can be useful to prevent input overload and distortion with sources that have a wide dynamic range, while compression can add punch to vocals, bass, guitar, and other sources while smoothing out the sound and helping it to "ride" better in the mix. Like the STAGEPAS™ 300 mixer, the STAGEPAS™ 500 mixer has 2-band EQ controls on each channel, as well as REVERB switches on channels 1 through 4. A separate REVERB level control adjusts the reverb mix.

High-performance 10" 2-way Passive Speakers

STAGEPAS™ 500 speakers have 10?Ewoofers and 1?Ehigh-frequency units. Both types deliver clean, high-quality sound. The speakers can be stand mounted without standard speaker stand adapters(Tripod pole diameter is 35 mm).

Other Features

The STAGEPAS™ 500 is a great choice for easy operation in a wide range of applications.

Solo Guitar Plus Vocal

The high-performance built-in reverb adds the finishing touch to great vocal sound, while an electro-acoustic guitar can be plugged directly into the mixer.

Solo Guitar Plus Vocal

Street Performance

The STAGEPAS™ 500 mixer will accept up to four microphones, and small powered monitors can be added for an unbeatable street performance system.

Street Performance

Speech

Set the SPEECH/MUSIC switch to SPEECH and the STAGEPAS™ 500 mixer is automatically set for optimum clarity and intelligibility for speech or announcements. The output from a CD player or other stereo line source can be mixed in for background music.

Speech

Meetings

Up to four microphones can be mixed with one or two stereo sources providing background music or other program material. Add video or projection equipment for an outstanding presentation system.

Yamaha Stagepass 500 - Meetings

General specifications

Output Power (Maximum)
Output Power (RMS)
250W+250W(±10%)/4Ω @10% THD at 1kHz (SPEAKERS L/R)
≤200W+200W/4Ω @1% THD at 1kHz (SPEAKERS L/R)
Maximum Output Level 116dB (1m)
Frequency Response (Nominal output level@1kHz) -3dB, 0dB, +1dB @20Hz~20kHz (MUSIC/SPEECH=MUSIC) (MONITOR OUT)
-3dB, 0dB, +1dB @80Hz~20kHz (MUSIC/SPEECH=SPEECH) (REC OUT)
-3dB, 0dB, +1dB @20Hz~20kHz, 1W OUTPUT (MUSIC/SPEECH=MUSIC, without Speaker EQ) (SPEAKERS L/R)
Total Hamonic Distortion ≤0.5% @20Hz, 1kHz, 20kHz +14dBu GAIN=nominal (MONITOR OUT, REC OUT)
Hum & Noise
(Equivalent Input Noise, Rs=150Ω, MIC/LINE = MIC)
≤-106dBu (CH1/2)
≤-112dBu (CH3/4)
≤-65dBu residual output noise (SPEAKERS L/R)
Crosstalk (1kHz) ≤-70dB between input channels
Phantom power switch ON / OFF (CH1-4)
COMP/LIMIT switch ON=COMP, OFF=LIMIT (CH1/2)
Input Channel Equalization ±15 dB
HIGH: 10kHz shelving
LOW: 100Hz shelving
Power Consumption 65W
Dimentions (W x D x H) 342 x 298 x 544.5 mm
Weight 24kg (Speaker x2 + Powered Mixer)

 

Speaker(500S)

Enclosure 2-way bass-reflex type, Polyprolylene, Black
Crossover Frequency 4.0kHz (LF:12dB/oct, HF:12dB/oct)
Frequency Range 55Hz~20kHz (-10dB)
Speaker Unit LF: 10"(25cm) Cone
HF: 1"(2.54cm) Compression Driver
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